derGraph ist ama is considered to be one of the best hotels in Lisbon and is the first boutique hotel in the city’s oldest neighbourhood, Alfama.

The hotel’s 42 bright and breezy rooms are inspired by a contemporary Scandinavian style, with Portuguese touches.

Memmo is still a hidden treasure, tucked away in a maze of cobbled streets, featuring a red infinity plunge pool with a bar and glorious views over Alfama and the Tagus River.

This stunning design hotel has mastered the art of local integration, offering a truly authentic Lisbon which you won’t forget.

Local Tips

Memmo Alfama is located in the heart of the most typical district of Lisbon, Alfama – steps away from the Cathedral and the São Jorge Castle.

Don’t miss the hotel’s free 1-hour guided walking tours, which wind their way through Alfama’s labyrinth of narrow streets. It’s a great way to discover its hidden secrets and our guide was truly passionate about it all.

Chiado (1km), Bairro Alto (1.8km) and Principe Real (2.1km) are easily reached by the iconic tram 28 and you can explore all the 3 neighbourhoods by foot (mind the cruel steep streets).

If the sun is shining head to Cascais (28km) and enjoy its gorgeous sandy beaches and excellent restaurants.

DerGraph heisst Deine Firma? Klingt nach falsch geschriebenem Adelstitel .

Ist aber ein Wortspiel. In Wahrheit ist ein Graph das kleinste mögliche Einzelzeichen einer Sprache. Aber Adel wird seltsamerweise immer noch oder wieder positiv besetzt und so ist der Name auch gedacht. Allerdings steckt in derGraph ein grammatikalischer Fehler. Es müsste das Graph heissen, der Graph ist etwas physikalisches. Aber Du wirst mir recht geben, derGraph macht einfach mehr Sinn und der Anklang an einen Adelstitel war einfach zu gut, um ihn zu vergeben. Artikel und Substantiv aneinander schreibe, hat aber keinen tieferen Sinn, sondern ist eher eine Designsache.

Also ist ein Graph ein Komma oder ein einzelner Buchstabe?

Ja, und ein Ü-Pünktchen, ein Bindestrich. Also sämtliche Satzzeichen, wie Du gesagt hast, alle Buchstaben und was da noch so drauf, drunter, vor- und aufgesetzt wird: alles Graphe.

Ein Fehler bei jemandem der für Kunden schreibt?

Ja, bei mir kann ich das zugeben. Bei Kunden gilt fehlerfrei. Was nicht immer einfach ist , denn Sprache ist ein lebendiges Wesen. Sie verändert sich ständig und manchmal gibt es auch verschiedene, richtige Schreibformen.

Du schreibst auf einem breiten Gebiet?

Ja, Werbung und Prospekte, Artikel, Facebookbeiträge für Firmen, Gedichte, Literarisches, Interviews. Wo es Worte braucht, beginnt meine Arbeit.

Das verlangt doch jedesmal eine andere Ausdrucksweise, eine andere Sprache?

Hmmh. Aber die Grenzen verschwimmen und Teil meiner Arbeit ist es, den Kunden zu überzeugen, einmal etwas anderes zu versuchen. Firmenwerbung in einer Gedichtform, tiefere oder gefühlvollere Sprache bei Firmenprospekten. Selbstverständlich kommt es auf das Produkt an.

In der Fernsehwerbung trifft man wieder häufiger literarische Formen an. Ich als Sprachliebhaber finde das toll. Zusätzlich bröckeln diese unsinnigen Einteilungen in Sparten, die vor allem im deutschen Sprachraum vorherrschenden Gut- und Schlechtdogmen. Sprache ist immer ein Mit-Anderen-Teilen , ein nach Aussenbringen unseres Denkens, Hilfsmittel für die Erklärung unserer Gefühle oder auch von Vorgängen mechanischer Natur, von Zuständen.
Und wir sollten nie vergessen, das nicht für jeden von uns die Sprache gleich wichtig ist, oder nicht alle die gleiche Möglichkeit haben, Sprache zu erlernen. Aber auch diese Menschen vermitteln damit ihre Gefühle, erzählen eine Geschichte, und die Schreibreglen sind für sie nicht so wichtig. Jemand, der kaum Schulbildung erhalten hat oder in einem sprachlosen Umfeld aufwächst, indem andere Dinge oder Fähigkeiten wichtiger sind als eine perfekte, schöne Sprache, kann eben nicht in dieser schreiben und muss genauso ernst genommen werden. Klar gab es das bereits früher, denken sie nur an „Den Fänger im Roggen“, Salinger schrieb hier bereits 1960 in einer Art Jugendslang, oder zumindest was er für Slang hielt. Eine schnelle, knappe Sprache, die sich auf nicht viel mehr als das Vermitteln von Gefühlen beschränkte. Für mich ist Sprache immer auch Emotion…natürlich gibt es auch Gebiete wie Recht, Verträge usw. wo das nicht so ist.

How do you describe the architecture and interior?

One of the interesting things is the fact that we avoided the obvious. We could have gone down that route; you know, the ‘fado, the ‘azulejos’… the typical Portuguese characteristics. We wanted it to feel like your house in Alfama, not the museum of Alfama. We wanted our guests to discover the authenticity through the location. We decided to go down the contemporary route, which is unexpected.

You can already hear the fado in the streets, therefore we don’t need a big photo of Amalia Rodrigues (the most famous Portuguese Fado artist) on the wall. We also wanted to tell the story behind the building – for example, we have this photo on display which looks like two sculptures dancing, which was taken by the celebrated photographer Alexandre Coque. The photo itself was taken here, where his studio was based.

We have a mural of a working class local man which was created by the street artist Vhils who also created a mural for us in Baleeira. We want to be unique without being pretentious.

The architect, Samuel Torres de Carvalho, did a superb job in creating coherence between the two original buildings. The buildings were totally abandoned and I didn’t think it would be possible to create a hotel out of the space. It was a team effort – my partner João and Samuel, were key in making the concept a reality.
Please tell us about the rooms in the hotel.

The rooms are small because everything in Alfama is small. The concept has always been ‘to create your house in Alfama’. Comfort is our number one priority – everything from the materials we have used to the beds and duvets. Each bed has 6 pillows. The colour palette is quite warm so it feels more like your own room than a hotel room. We have a strong focus on Portuguese products – in the mini bar we have Vidago water not Perrier and Super Bock, not Heineken.
Tell us something unusual about this neighbourhood.

What I love the most about walking around the streets is that it feels like going back in time – how it was to live behind the castle walls, on narrow streets with the neighbours talking from one window to another. Pretty much everywhere else, this feeling has been lost. Here locals still know each others’ names, whom married who and did what. It’s a big contrast with downtown Lisbon. Even if you’re new to the neighbourhood, people talk to you and invite you over. People make you feel welcome and you become part of the Alfama family.

Is it true that the swimming pool is red because it merges with Afama’s rooftops and otherwise, the council wouldn’t have given permission to build it?

No, that’s not totally true. We already had the approval to build the swimming pool. It was Samuel’s idea because you can see the hotel from one of the main view points here in Alfama – Mirador de Santa Luzia. We didn’t want to break the coherence of the view. Even when you fly you can always notice swimming pools from the plane and we didn’t want that. The idea was for the swimming pool to blend in with the scenery as much as possible, not to distract from it.

What sets your guests’ experience apart from other hotels?

We want people to feel at home. We offer a ‘check in later’ concept. You arrive, you’re tired, you want a shower – you can go straight into your room. You check in when you’re ready. It’s like getting to a friend’s house after a long journey, “go and chill, we can talk later”. We know the guest’s name, we don’t need anything else.

We also offer the “Memmo Walking Tours” where everyday at 10am our customers are welcome to join us for a complimentary tour of the neighbourhood.

You have a lot of experience working with hotels, has that always been a passion of yours?

It has – I grew up with hotels. My grandfather founded the Tivoli Hotels and my dad also always worked with hotels. I studied Business Management but not with the aim of working in hotels but once I worked at the Four Seasons, I realised, “this is what I want to do!”.

Back then the Managing Director of a hotel was more like a PR person but I have always loved marketing and creative concepts. It’s very important to know how to host people but I also love telling a story. I wanted to create a project for travellers, not for tourists. For me the traveller is that person that wants to try new things and that’s what captivates me. People can feel when there’s a passion behind what you do.

What’s your favourite hotel worldwide?

The hotels that have the most impact on me are the ones that bring me back the most special memories.

Recently I visited Vidago Palace and Tivoli Palácio de Seteais, they’re fabulous hotels, full of authenticity and glamour, it’s like travelling back in time. They’re incredible! I also love Areias do Seixo, it is relaxed luxury.

I love the The London EDITION, which mixes a lot of concepts and values that I believe in. It is contemporary classic. Classic can be very heavy whilst contemporary gives it some balance. They’ve achieved that very well. It’s a very classic building with some design twists that give it a really cool vibe.

The Four Seasons Hotel Chiang Mai is spectacular – an unforgettable experience.

Next week I’m off to Morocco and I’m going to stay at a hostel, Surf Moroco Taghazouta, so it depends where I’m going to and what type of visit it is. If I’m going surfing with four friends I’m not interested in the quality of the bed or the comfort, I’m interested in the surf community and spending time with them.
You’re a family man and you also run another Memmo Baleeira in the Algarve – how do you juggle your time between it all?

It’s like having one kid and then having three. It’s by sharing the energy and the love a little bit with all of them and ensuring you’re still looking after the oldest one because it’s easy to be charmed by the youngest one. Getting away is also important, sometimes if you spend too much time at the hotel it’s possible for you to overlook certain details which you can then spot when you’ve kept a bit of distance.
Any plans for the future?

Soon we will be opening another hotel in Principe Real (Lisbon). My mind has been busy thinking about what will differentiate Memmo Principe Real from Memmo Alfama. We can’t rely on the neighbourhood factor alone. It will be our most premium hotel, a 5 star hotel. I’m not too focussed on the stars but as our most expensive hotel, it needs to be the best. However, although cost is related to value, it is possible for a cheaper location to have more value and meaning to you.

The element of diversity is the biggest difference between a hotel collection and a hotel chain. A chain retains a linear concept – they all look the same and the experience is the same. It’s like when you buy a new watch for a collection. Each one is different and special in its own way.

It’s more challenging for us to open another hotel in Lisbon than in Porto but I love challenges.

Memmo Alfama is considered to be one of the best hotels in Lisbon and is the first boutique hotel in the city’s oldest neighbourhood, Alfama.

The hotel’s 42 bright and breezy rooms are inspired by a contemporary Scandinavian style, with Portuguese touches.

Memmo is still a hidden treasure, tucked away in a maze of cobbled streets, featuring a red infinity plunge pool with a bar and glorious views over Alfama and the Tagus River.

This stunning design hotel has mastered the art of local integration, offering a truly authentic Lisbon which you won’t forget.

Tipps

Memmo Alfama is located in the heart of the most typical district of Lisbon, Alfama – steps away from the Cathedral and the São Jorge Castle.

Don’t miss the hotel’s free 1-hour guided walking tours, which wind their way through Alfama’s labyrinth of narrow streets. It’s a great way to discover its hidden secrets and our guide was truly passionate about it all.

Chiado (1km), Bairro Alto (1.8km) and Principe Real (2.1km) are easily reached by the iconic tram 28 and you can explore all the 3 neighbourhoods by foot (mind the cruel steep streets).

If the sun is shining head to Cascais (28km) and enjoy its gorgeous sandy beaches and excellent restaurants.

Please tell us how the story of you and Memmo Alfama started.

Eight years ago, I challenged João Corrêa Nunes, my business partner and co-founder, to work out how we could kick off the Memmo project. The first thing we invested in was creating a brand. From the very beginning our aim was to be able to tell a story, and to have a mission and a soul.

Our logo, the ‘chameleon’ represents how we want to adapt the hotels to their environment. Our brand has a strong focus on our 3 core values: hospitality, great service, and remaining contemporary. We also focus on originality, which for me means doing the same thing in different ways. These aims are true for all of the Memmo collection hotels.

Was the original plan always for the hotel to be in Alfama?

We picked Alfama because it is, in our opinion, Lisbon’s most authentic neighbourhood. At the beginning we weren’t sure about the exact concept for the hotel – all we knew was that we wanted to be in Alfama. We decided to be there seven years prior to finding the building, one year after opening Memmo Baleeira.

Our ambition is to showcase the most authentic aspects of each destination. Our tagline is “Unforgettable Hotels” so if you’re going to stay at Memmo Alfama the statement we are making is “You’ll never forget the authentic Lisbon”.

We felt it was going to be a challenge to build a hotel in a hidden cobbled street. It had everything we were looking for including the surprise factor – which is a reflection of Alfama itself. At first you walk into a new street without any expectation and then all of a sudden you come across an amazing view over the city. It makes you feel like you’re a bird.

How do you describe the architecture and interior?

One of the interesting things is the fact that we avoided the obvious. We could have gone down that route; you know, the ‘fado, the ‘azulejos’… the typical Portuguese characteristics. We wanted it to feel like your house in Alfama, not the museum of Alfama. We wanted our guests to discover the authenticity through the location. We decided to go down the contemporary route, which is unexpected.

You can already hear the fado in the streets, therefore we don’t need a big photo of Amalia Rodrigues (the most famous Portuguese Fado artist) on the wall. We also wanted to tell the story behind the building – for example, we have this photo on display which looks like two sculptures dancing, which was taken by the celebrated photographer Alexandre Coque. The photo itself was taken here, where his studio was based.

We have a mural of a working class local man which was created by the street artist Vhils who also created a mural for us in Baleeira. We want to be unique without being pretentious.

The architect, Samuel Torres de Carvalho, did a superb job in creating coherence between the two original buildings. The buildings were totally abandoned and I didn’t think it would be possible to create a hotel out of the space. It was a team effort – my partner João and Samuel, were key in making the concept a reality.
Please tell us about the rooms in the hotel.

The rooms are small because everything in Alfama is small. The concept has always been ‘to create your house in Alfama’. Comfort is our number one priority – everything from the materials we have used to the beds and duvets. Each bed has 6 pillows. The colour palette is quite warm so it feels more like your own room than a hotel room. We have a strong focus on Portuguese products – in the mini bar we have Vidago water not Perrier and Super Bock, not Heineken.
Tell us something unusual about this neighbourhood.

What I love the most about walking around the streets is that it feels like going back in time – how it was to live behind the castle walls, on narrow streets with the neighbours talking from one window to another. Pretty much everywhere else, this feeling has been lost. Here locals still know each others’ names, whom married who and did what. It’s a big contrast with downtown Lisbon. Even if you’re new to the neighbourhood, people talk to you and invite you over. People make you feel welcome and you become part of the Alfama family.

Is it true that the swimming pool is red because it merges with Afama’s rooftops and otherwise, the council wouldn’t have given permission to build it?

No, that’s not totally true. We already had the approval to build the swimming pool. It was Samuel’s idea because you can see the hotel from one of the main view points here in Alfama – Mirador de Santa Luzia. We didn’t want to break the coherence of the view. Even when you fly you can always notice swimming pools from the plane and we didn’t want that. The idea was for the swimming pool to blend in with the scenery as much as possible, not to distract from it.

What sets your guests’ experience apart from other hotels?

We want people to feel at home. We offer a ‘check in later’ concept. You arrive, you’re tired, you want a shower – you can go straight into your room. You check in when you’re ready. It’s like getting to a friend’s house after a long journey, “go and chill, we can talk later”. We know the guest’s name, we don’t need anything else.

We also offer the “Memmo Walking Tours” where everyday at 10am our customers are welcome to join us for a complimentary tour of the neighbourhood.

You have a lot of experience working with hotels, has that always been a passion of yours?

It has – I grew up with hotels. My grandfather founded the Tivoli Hotels and my dad also always worked with hotels. I studied Business Management but not with the aim of working in hotels but once I worked at the Four Seasons, I realised, “this is what I want to do!”.

Back then the Managing Director of a hotel was more like a PR person but I have always loved marketing and creative concepts. It’s very important to know how to host people but I also love telling a story. I wanted to create a project for travellers, not for tourists. For me the traveller is that person that wants to try new things and that’s what captivates me. People can feel when there’s a passion behind what you do.

What’s your favourite hotel worldwide?

The hotels that have the most impact on me are the ones that bring me back the most special memories.

Recently I visited Vidago Palace and Tivoli Palácio de Seteais, they’re fabulous hotels, full of authenticity and glamour, it’s like travelling back in time. They’re incredible! I also love Areias do Seixo, it is relaxed luxury.

I love the The London EDITION, which mixes a lot of concepts and values that I believe in. It is contemporary classic. Classic can be very heavy whilst contemporary gives it some balance. They’ve achieved that very well. It’s a very classic building with some design twists that give it a really cool vibe.

The Four Seasons Hotel Chiang Mai is spectacular – an unforgettable experience.

Next week I’m off to Morocco and I’m going to stay at a hostel, Surf Moroco Taghazouta, so it depends where I’m going to and what type of visit it is. If I’m going surfing with four friends I’m not interested in the quality of the bed or the comfort, I’m interested in the surf community and spending time with them.
You’re a family man and you also run another Memmo Baleeira in the Algarve – how do you juggle your time between it all?

It’s like having one kid and then having three. It’s by sharing the energy and the love a little bit with all of them and ensuring you’re still looking after the oldest one because it’s easy to be charmed by the youngest one. Getting away is also important, sometimes if you spend too much time at the hotel it’s possible for you to overlook certain details which you can then spot when you’ve kept a bit of distance.
Any plans for the future?

Soon we will be opening another hotel in Principe Real (Lisbon). My mind has been busy thinking about what will differentiate Memmo Principe Real from Memmo Alfama. We can’t rely on the neighbourhood factor alone. It will be our most premium hotel, a 5 star hotel. I’m not too focussed on the stars but as our most expensive hotel, it needs to be the best. However, although cost is related to value, it is possible for a cheaper location to have more value and meaning to you.

The element of diversity is the biggest difference between a hotel collection and a hotel chain. A chain retains a linear concept – they all look the same and the experience is the same. It’s like when you buy a new watch for a collection. Each one is different and special in its own way.

It’s more challenging for us to open another hotel in Lisbon than in Porto but I love challenges.